Modigliani's sculptures are among the most powerful works of his life's work. Original: Musée de l'Art Moderne, Centre Pompidou, Paris. Polymer ars mundi museum replica cast by hand, patinated by hand. Height incl. diabase base 45.5 cm.
Modigliani's sculptures are among the most powerful works of classical modernism. Original: Musée de l'Art Moderne, Centre Pompidou, Paris. Polymer ars mundi museum replica, cast by hand, patinated by hand. Total height 45 cm.
He was the 'Bohemian' par excellence. Modigliani knew no boundaries and cared little for conventional wisdom. This is how he found his very own, unmistakable style, which still looks as modern today as it did 90 years ago. Figure made of hand-painted, porcelain-like cast resin. Height 20 cm.
He was the 'Bohemian' par excellence. Modigliani knew no boundaries and cared little for conventional wisdom. This is how he found his very own, unmistakable style, which still looks as modern today as it did 90 years ago.figure made of hand-painted, porcelain-like cast resin. Height 22 cm.
He was the 'Bohemian' par excellence. Modigliani knew no measure and no boundaries and cared little for conventional wisdom. This is how he found his very own, unmistakable style, which still looks as modern today as it did 90 years ago... Figure made of hand-painted, porcelain-like cast resin. Height 15.5 cm.
Darwin's contemporary, the Parisian watercolour painter, etcher, lithographer and ingenious bronze sculptor Barye achieved early and ever-increasing fame with his grippingly naturalistic depictions of leaping and fighting cats of prey. Original: Bronze, Staatliche Museen, Stiftung Preußischer Kulturbesitz, Berlin. Polymer ars mundi museum replica cast by hand with bronzed surface. Total height 28 cm, length 42 cm.
A skilful portrayal of tense posture, muscle play and a cat's own character. Original: Bronze, France, 19th century, Musée du Louvre, Paris. Replica made from hand-patinated resin. With certificate of authenticity. Size 9.5 x 4 x 9 cm (h/w/d). Weight approx. 0.1 kg.
A skilful depiction of tense posture, muscular play and the character of a cat.original: Bronze, France, 19th century, Musée du Louvre, Paris. ars mundi museum replica, cast and patinated by hand. Edition in bronze, cast by hand using the lost wax technique. Size 8.5 x 9 x 4.5 cm.
In this magnificent animal sculpture, serenity and drama are excitingly combined: the hunting cat of prey with its reflective, tense muscles and sinews impresses with the violence of its expression and the energy of its movement. Original: Musée du Louvre, Paris. Polymer ars mundi museum replica cast and patinated by hand; with bronzed surface. Length 39 cm. Height 21 cm.
This magnificent animal sculpture is an exciting combination of serenity and drama: the hunting cat of prey with its reflective, tense muscles and sinews impresses with the violence of its expression and the energy of its movement. Original: Musée du Louvre, Paris. ars mundi museum replica, cast and patinated by hand. Edition in bronze, cast using the lost wax technique. Length 39 cm. Height 21 cm.
Original: Musée du Louvre, Paris, bronze. Polymer ars mundi museum replica cast by hand, with bronzed surface. Original size. Size 29 x 29 x 12 cm (W/H/D).
Original: Musée du Louvre, Paris. ars mundi museum replica, cast and patinated by hand. Edition in bronze, cast using the lost wax technique. Original size. Size 29 x 29 x 12 cm (W/H/D).
Every muscle taut, striding powerfully forward, the lioness is the undisputed queen of the savannah. Original: Bronze, Musée du Louvre, Paris. Cast metal with bronzed surface. Size 21 x 7 cm (W/H).
Aristide Maillol's main theme is the female nude, which - although developed from a live model - he executed as a harmonious, sensual femininity par excellence, dispensing with individual features. The 'Standing Bather with Cloth' shows that Maillol had found his own formal language early on, which he hardly changed over the following decades. Fine bronze, cast by hand using the lost wax technique and patinated brown like the original. Moulded directly from the original and reduced in size (reduction). Limited edition of 980 copies, individually numbered and bearing the signature and foundry mark taken from the original. ars mundi exclusive edition, published in collaboration with the Kunsthalle Bremen. With numbered certificate of authenticity and limitation. Size 38.5 x 10 x 10 cm (H/W/D). Weight 3.5 kg. 'The important French sculptor Aristide Maillol is represented by several works in the collection of the Kunsthalle Bremen. The artist combined a lifelong fascination with the motif of the female nude with a reduced, classical formal language. 'Standing Bather with Cloth' is a particularly beautiful example of a figure at rest in itself.' (Prof. Dr Christoph Grunenberg, Director of the Kunsthalle Bremen)
This sculpture shows the first man, Adam, slowly rising to life. Originally modelled in 1880, Adam was first cast in 1910-11. Original: Bronze, Musée Rodin, Paris. Created in 1880, museum replica. Version in precious bronze, cast by hand using the lost mould technique. Reduction. Size 17 x 47 x 14.5 cm (W/H/D), incl. base made of black diabase. Weight approx. 14.5 kg.
This sculpture shows the first man, Adam, slowly rising to life. Originally modelled in 1880, Adam was first cast in 1910-11. Original: Bronze, Musée Rodin, Paris. Created in 1880, museum replica. Cast by hand. Version in polymer art casting with bronzed surface. Reduction. Size 17 x 47 x 14.5 cm (W/H/D), incl. base made of black diabase. Weight approx. 14.5 kg.
Like 'The Kiss' or 'The Thinker', this sculpture is a study of Rodin's never-completed, legendary monumental work 'The Gates of Hell'. It exemplifies the genius of Rodin's 'speaking' surfaces. Original: Bronze, Musée Faure, Aix-les-Bains. Created in 1880. ars mundi museum replica cast by hand as a polymer art casting with a bronzed surface. Height 45 cm, weight approx. 7.5 kg.
Like 'The Kiss' or 'The Thinker', this sculpture is a study of Rodin's never-completed, legendary monumental work 'The Gates of Hell'. It exemplifies the genius of Rodin's 'speaking' surfaces. Original: Bronze, Musée Faure, Aix-les-Bains. Created in 1880. ars mundi museum replica, cast by hand. Version in fine bronze, cast according to the lost mould, finely patinated and polished. Height 45 cm, weight approx. 7.5 kg.
Original: Bronze, Musée Rodin, Paris. Created in 1910, museum replica. Version in precious bronze. Cast according to the lost mould method. Height 42 cm, incl. base made of black diabase. Weight approx. 4 kg.
Through impressionistic surface modelling, the artist achieves an interplay of light: flickering highlights and mysterious shadows animate his figures and bring them to life. 'I am not saying that the woman is like a landscape changed by the incidence of sunlight, but the comparison is apt', Rodin said in the spirit of Impressionism.Original: Bronze, Musée Rodin, Paris. Created in 1884, museum replica. Reduction. Version in precious bronze. Cast by hand using the lost mould technique. Height 18 cm. Width 31 cm.
Through impressionistic surface modelling, the artist achieves an interplay of light: flickering highlights and mysterious shadows animate his figures and bring them to life. 'I am not saying that the woman is like a landscape that is changed by the incidence of sunlight, but the comparison is apt', Rodin said in the spirit of Impressionism.Original: Bronze, Musée Rodin, Paris. Created in 1884. ars mundi museum replica, cast by hand using the lost mould technique. Reduction. Version in white, polymer-bonded artificial marble. Height 18 cm. Width 31 cm.
Through impressionistic surface modelling, the artist achieves an interplay of light: flickering highlights and mysterious shadows animate his figures and bring them to life. 'I am not saying that the woman is like a landscape that is changed by the incidence of sunlight, but the comparison is apt', Rodin said in the spirit of Impressionism.Original: Bronze, Musée Rodin, Paris. Created in 1884. ars mundi museum replica. Reduction. Version in polymer art casting with bronzed surface. Cast by hand using the lost mould technique. Height 18 cm. Width 31 cm.
With Eve, who embraces herself in shame, Rodin created a key figure of modern man, who is thrown back on himself without divine assistance. Together with Adam, the figure was originally intended to flank the main entrance to the Musée des Arts Décoratifs in Paris as part of the Gates of Hell. Like Rodin's Thinker, it is an outstanding work of modern sculpture that has its roots in Dante's Divine Comedy and is a visible homage to Michelangelo.' (Dr Katja Lembke, Director of the Landesmuseum Hannover)Original: Bronze, c. 1881, height 173 cm, Landesmuseum Hannover. Directly moulded from the original and reduced in size (reduction). Cast stone with bronzed surface. Size 48.5 x 13 x 15 cm (h/w/d).
