Rodin created 'Le lion qui pleure' in memory of Madame Turquet, whose husband was 'Undersecretary of Fine Arts' and a Rodin admirer. The inscription 'Garde bien' - 'Take good care' comes from the Turquet family coat of arms.Original: Musée Rodin, Paris. Created in 1881. ars mundi museum replica cast by hand as a polymer art casting with a bronzed surface. Size (W/H/D): 34 x 28 x 18 cm. Signed in the mould. Weight approx. 10 kg.
'Boldness of light - modesty of shadow' - Rodin composed this dialogue of elevations and depressions into the 'skin' of his sculptures. With his modern formal language, which abandoned the monumental pose of the academic style and brought emotional states to life in moving surfaces, Rodin was far ahead of his time. Original: Musée du Louvre, Paris / Nelson A. Rockefeller Collection, New York. Created in 1882. ars mundi polymer museum replica, cast by hand. With bronzed surface. Original size, height 48 cm incl. diabase base, signed in the mould. Weight approx. 8.5 kg.
'Boldness of light - modesty of shadow' - Rodin composed this dialogue of elevations and depressions into the 'skin' of his sculptures. With his modern formal language, which abandoned the monumental pose of the academic style and brought emotional states to life in moving surfaces, Rodin was far ahead of his time. Original: Musée du Louvre, Paris / Nelson A. Rockefeller Collection, New York. Created in 1882, museum replica. Version in precious bronze, cast using the lost mould technique. Original size, height 48 cm incl. diabase base, signed in the cast. Weight approx. 10 kg.
'Boldness of light - modesty of shadow' - Rodin composed this dialogue of elevations and depressions into the 'skin' of his sculptures. With his modern formal language, which abandoned the monumental pose of the academic style and brought emotional states to life in moving surfaces, Rodin was far ahead of his time. Original: Musée du Louvre, Paris / Nelson A. Rockefeller Collection, New York. Created in 1882, polymer ars mundi museum replica, cast by hand. Reduction. Polymer art casting with bronzed surface. Height 34.5 cm.
Spitzweg's librarian stands at a lofty height on a wobbly chair, deeply immersed in his reading. Forgotten is the rest of the world, forgotten are the other books with which he is burdened - and forgotten is his thoroughly precarious situation... Our sculptor's model is a detailed reproduction of Spitzweg's original, right down to the drapery, button and trouser bow. An ideal object for all bookworms and literature lovers! Sculptor's model based on the 1852 oil painting from the Museum Georg Schäfer, Schweinfurt. Size 7.5 x 27.5 x 10 cm (W/H/D). Edition in cast metal with bronze-coloured patina. Hand-cast, patinated and polished. ars mundi exclusive edition.
Even during his lifetime, 'The Eternal Wedding' was perhaps the painter's most popular subject: the admirer gallantly hands a bouquet of flowers to his beloved. At the urging of his collectors, Spitzweg painted the motif several times in slight variations. Now the motif is available exclusively from ars mundi as a romantic table sculpture. Our sculptor's model reproduces Spitzweg's original in every detail, right down to the drapery, quiff and flowers. An ideal gift for a loved one, a heartfelt thank you and a stylish declaration of love! Sculpture model based on the oil painting from 1858-60. Moulded by hand. Size 9 x 21.5 x 10 cm (W/H/D). Edition in cast metal with bronze-coloured patina. Patinated and polished by hand.
Even during his lifetime, 'The Eternal Wedding' was perhaps the painter's most popular subject: the admirer gallantly hands a bouquet of flowers to his beloved. At the urging of his collectors, Spitzweg painted the motif several times in slight variations. Now the motif is available exclusively from ars mundi as a romantic table sculpture. Our sculptor's model reproduces Spitzweg's original in every detail, right down to the drapery, quiff and flowers. An ideal gift for a loved one, a heartfelt thank you and a stylish declaration of love! Sculptor's model based on the oil painting created in 1858-60. Moulded by hand. Size 9 x 21.5 x 10 cm (W/H/D). Painted polymer edition. Elaborately painted by hand.
Symbolising the German poet and thinker: 'The Poor Poet'. No other work of art by Spitzweg enjoys such great popularity to this day. A survey revealed that 'The Poor Poet' - right after Leonardo da Vinci's 'Mona Lisa' - is one of the Germans' favourite paintings. Spitzweg has staged the image of the poet concentrating solely on the spiritual in a prototypical way here: Equipped against the cold with a blanket, a worn jacket and a sleeping cap and protected by an umbrella against the ingress of rainwater, he unperturbedly devotes himself to his work. The motif is now available exclusively from ars mundi as a romantic table sculpture for the first time. Our sculptor's model lovingly reproduces Spitzweg's original down to the last detail. An ideal gift for literature lovers, humanities scholars and head acrobats! Sculptor's model based on the 1839 oil painting from the Neue Pinakothek, Munich. Moulded by hand. Size 23 x 21 x 13 cm (W/H/D). Edition in polymer art casting with bronze-coloured patina. Patinated and polished by hand. Weight 3 kg.
In old age, Degas became increasingly blind, making it impossible for him to paint. However, his creative energy remained unbroken. He therefore increasingly focussed on small sculptures, which also secured him an eternal reputation as a sculptor. Original: Musée d'Orsay (RF 2099), Paris. Bronze, first cast around 1910. Replica made of hand-patinated resin with bronzed surface, on a wooden plinth. With certificate of authenticity. Size with plinth 43 x 24 x 19 cm (h/w/d). Base size 2 x 15 x 17 cm (h/w/d). Weight 2.7 kg.
In old age, Degas became increasingly blind, making it impossible for him to paint. However, his creative energy remained unbroken. He therefore increasingly focussed on small sculptures, which also secured him an eternal reputation as a sculptor. The 'Spanish Dancer' was first cast by Hébrand in 1900. Original: Bronze, between 1882-1900, Musée d'Orsay, Paris. Replica made of hand-patinated resin with bronzed surface. With certificate of authenticity. Size 42 x 15 x 19.5 cm (h/w/d). Weight approx. 2.2 kg.
In old age, Degas became increasingly blind, making it impossible for him to paint. However, his creative energy remained unbroken. He therefore increasingly focussed on small sculptures, which also secured him an eternal reputation as a sculptor. The 'Spanish Dancer' was first cast by Hébrand in 1900. Original: Bronze, between 1882-1900, Musée d'Orsay, Paris. Sculpture in fine bronze, cast by hand using the lost wax technique. Size 13 x 45 x 19 cm (W/H/D). Weight approx. 4 kg. ars mundi exclusive edition.
Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. Here is a replica of his powerful 'Black Panther' (Musée des Beaux Arts in Dijon) in polymer moulding, size 30 x 13 x 5.5 cm, approx. weight 1.3 kg.
François Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. Original: Bronze, from the A. Curtis - Donation to Musée National d'Art Moderne 1939, Musée d'Orsay, Paris. Replica made of hand-patinated resin. With certificate of authenticity. Size 18.5 x 11 x 14.5 cm (h/w/d). Weight approx. 0.8 kg.
François Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. Original: Bronze, 1922-1923, Musée des Beaux-Arts, Dijon. Replica made from hand-patinated resin. With certificate of authenticity. Size including base 19 x 5 x 12.5 cm (h/w/d). Weight approx. 0.24 kg.
Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. They can be found in the MOMA, among other places. Sculpture in polymer moulding, size 5 x 14 x 5 cm (W/H/D).
François Pompon contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. He developed his own unmistakable style and, with his polar bear, created the unrivalled prototype of an animal sculpture that simultaneously radiates power and modernity. The Metropolitan Museum of Art places the Polar Bear at the centre of its collection as a milestone in modern sculpture. Original: marble, 1923-1933, Musée des Beaux-Arts, Dijon and Museum of Modern Art, New York City, among others. Museum replica in polymer-bonded marble. The details are worked out by hand for maximum authenticity. Size 45 x 24 x 10 cm (W/H/D).
It is thanks to many years of studying the hippos at the Jardin des Plantes in Paris that François Pompon (1855-1933) succeeded in capturing the essence of this animal. With their smooth surface and simplicity, Pompon's bronze animal sculptures are among the French sculptor's most famous works.Original: Bronze, 19th century, Musée d'Orsay, Paris.replica made of hand-patinated resin. With certificate of authenticity. Size 14 x 7 x 22.5 cm (h/w/d). Weight approx. 1.2 kg.
François Pompon contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. He developed his own unmistakable style and, with his polar bear, created the unrivalled prototype of an animal sculpture that simultaneously radiates power and modernity. The Metropolitan Museum of Art places the Polar Bear at the centre of its collection as a milestone in modern sculpture. Original: marble, 1923-1933, including Musée des Beaux-Arts, Dijon and Museum of Modern Art, New York City. Sculpture in polymer art casting with metal look. Size 17 x 32 x 11 cm (h/w/d). Weight 1.8 kg.
François Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. He developed his own unmistakable style and, with his polar bear, created the unrivalled prototype of an animal sculpture that simultaneously radiates power and modernity. Pompon created this sculpture in various sizes. The Metropolitan Museum of Art places the Polar Bear at the centre of its collection as a milestone in modern sculpture. Original: Marble, 1923-1933, Musée des Beaux-Arts, Dijon and Museum of Modern Art, New York City, among others. Replica made of polymer-bonded marble, hand-patinated. With certificate of authenticity. Size 15 x 26 x 7 cm (h/w/d). Weight approx. 1.4 kg.
François Pompon contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. He developed his own unmistakable style and, with his polar bear, created the unrivalled prototype of an animal sculpture that simultaneously radiates power and modernity. The Metropolitan Museum of Art places the Polar Bear at the centre of its collection as a milestone in modern sculpture. Original: marble, 1923-1933, including Musée des Beaux-Arts, Dijon and Museum of Modern Art, New York City. Sculpture in polymer art casting with metal look. Size 10.5 x 20 x 7 cm (h/w/d). Weight 0.7 kg.
François Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. Original: Bronze, estate of François Pompon 1933, Musée d'Orsay, Paris. Replica made from hand-patinated resin. With certificate of authenticity. Size including base 15 x 6 x 6.5 cm (h/w/d). Weight approx. 0.18 kg.
François Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. Original: Bronze, green patina, 1925-1930, Musée des Beaux-Arts, Dijon. Replica made of hand-patinated resin with bronzed surface. With certificate of authenticity. Size 27.5 x 17 x 8.5 cm (h/w/d). Weight approx. 1 kg.
Animal sculptures were a major theme of the French sculptor François Pompon (1855-1933). The bronze 'La Chouette', exhibited in the Musée d'Orsay, Paris, among others, captivates with its stylised, smooth form as an expression of permanence. This replica was also made of bronze, cast using the lost wax technique and patinated by hand. Size 17 x 7.5 x 7 cm (H/W/D). Weight 1.5 kg.
François Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. His sculpture 'Young Owl (La Chouette)' captivates with its stylised, smooth form as an expression of permanence. Original: Bronze, estate of François Pompon 1933, Musée des Beaux-Arts, Dijon. Replica made of hand-patinated resin. With certificate of authenticity. Size 18 x 6.5 x 8 cm (h/w/d). Weight approx. 0.9 kg.
