Whether day or night - New York City was Rizzi's favourite city. In this table sculpture made of fine porcelain, the turbulent city life is captured in two different views on the front and back. On a wooden base. Size incl. base 23 x 21 x 9 cm (H/W/D).
Everything in his New York was lively and endearing for pop artist James Rizzi. The fascinating metropolis of millions was Rizzi's favourite city and at the same time his home, which constantly provided him with new and exciting impressions and inspiration for his works. Table sculpture made of fine porcelain on a plinth. Size incl. plinth 19 x 17 x 8.5 cm (H/W/D).
Bright colours, dancing shapes such as houses, the sun, the moon and people like you and me adorn works of art by New York artist James Rizzi. Interestingly designed and elaborately handcrafted. Limited edition of 999 pieces, with certificate. Format incl. base 35.5 x 26.5 x 10 cm (h/w/d).
New York is the beloved city of pop artist James Rizzi. He sees the buildings of the skyline as colourful, cheerful and extremely lively personalities - which, like the city, apparently never sleep. Limited edition of 199 pieces. Porcelain object with plinth. Size incl. base 70 x 34.5 x 17 cm (H/W/D). Weight 7.5 kg.
Everything in his New York was lively and endearing for pop artist James Rizzi. Table sculpture made of fine porcelain on a plinth. Limited edition of 999 pieces, with certificate. Size incl. base 31 x 24.5 x 13 cm (h/w/d).
Everything in his New York was lively and endearing for pop artist James Rizzi. Table sculpture made of fine porcelain on a plinth. Size incl. base 19 x 17.5 x 8.5 cm (h/w/d).
Pop artist James Rizzi shows the city of dreams from its lively side. The sculpture shows New York by day on one side and New York by night on the other. Table sculpture made of fine porcelain on a plinth. Limited to 499 pieces, signed. With certificate. Size incl. base 28.5 x 48 x 11.5 cm (h/w/d).
Jamie Salmon's 'fragments' are self-portraits. Here he shows himself completely introverted with his eyes closed. Edition in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited to 14 numbered and signed copies. Size 70 x 48 x 41 cm (h/w/d). Weight approx. 21 kg.
The fragment as a hint, which only shows a part, but nevertheless expresses the whole beauty. Edition in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited to 14 numbered and signed copies. Size 73 x 56 x 33 cm (h/w/d). Weight approx. 19.8 kg.
Two discs are closely connected and complement each other to form a symbiosis. The soft vibrations reflect a multitude of different perspectives of a relationship. Original sculpture made of stainless steel, 2018. Hand-signed, dated, titled. Format 21 x 24 x 21 cm (h/w/d). Weight 2.1 kg.
Jan Köthe's sculpture is intended to draw society's attention to the consequences of its decisions. Original sculpture made of stainless steel, 2016, hand-signed, dated, titled. Format 34 x 20 x 12 cm (h/w/d). Weight 4.7 kg.
The sculpture depicts a split face with halves that are pointing apart. This split symbolises both our society in dealing with the current challenges and the inner conflict of each individual. Original sculpture made of stainless steel, 2021, hand-signed, dated, titled. Size 47 x 25 x 20 cm (h/w/d). Weight 5.3 kg.
Jan Köthe's sculpture is intended to reflect a major change in life. Regardless of how the change came about, it is intended to symbolise a new beginning. The sculpture shows the flowing change and emphasises the effort through different views. Original sculpture made of stainless steel, 2016, hand-signed, dated, titled. Size 47 x 14 x 12 cm (h/w/d). Weight 3.5 kg.
In the 'Homage to Christo and Jeanne-Claude' series of works, Köthe interprets the wrapping of the Reichstag in Berlin. The folds of the silver fabric, the lacing and the shadows flow into his stainless steel sculptures. Steles connected with a steel band are reminiscent of the tied-up lengths of fabric and bodies facing each other.stainless steel sculpture 2016. limited edition of 19, handmade, numbered, signed and dated. Format 40 x 15.5 x 7 cm (h/w/d). Weight 2.2 kg.
The 'Homage to Christo and Jeanne-Claude' is a series by the artist Jan Köthe and symbolises the wrapped Reichstag with its folds and constrictions and at the same time shows the close relationship between the artist couple. Original sculpture made of stainless steel, 2015, hand-signed, dated, titled. Size 89 x 33 x 13 cm (h/w/d). Weight 13.2 kg.
In the 'Homage to Christo and Jeanne-Claude' series of works, Köthe interprets the wrapping of the Reichstag in Berlin. The folds of the silver fabric, the lacing and the shadows flow into his stainless steel sculptures. Steles connected with a steel band are reminiscent of the tied-up lengths of fabric and bodies facing each other.stainless steel sculpture 2016. limited edition of 19 pieces, handmade, numbered, signed and dated. Format 29 x 8 x 4 cm (h/w/d). Weight 1.3 kg.
In the 'Homage to Christo and Jeanne-Claude' series of works, Köthe interprets the wrapping of the Reichstag in Berlin. The folds of the silver fabric, the lacing and the shadows flow into his stainless steel sculptures. Steles connected with a steel band are reminiscent of the tied-up lengths of fabric and bodies facing each other.stainless steel sculpture 2016. limited edition of 19 pieces, handmade, numbered, signed and dated. Format 31 x 22 x 6 cm (h/w/d). Weight 1.6 kg.
The 'Homage to Christo and Jeanne-Claude' is a series by the artist Jan Köthe and symbolises the wrapped Reichstag with its folds and constrictions and at the same time shows the close relationship between the artist couple. Original sculpture made of stainless steel, 2015, hand-signed, dated, titled. Size 200 x 36 x 23 cm (h/w/d). Weight 67 kg.
The sculpture by Jan Köthe shows in its firm and massive way a bond between two people that nothing can break apart. Original sculpture made of stainless steel, 2016, hand-signed, dated, titled. Size 37 x 20 x 13 cm (h/w/d). Weight 5.3 kg.
