Pompon (1855-1933) contributed significantly to the fame of Auguste Rodin's sculpture studio for 15 years. His unmistakable animal sculptures are characteristic of the transition to modern sculpture at the beginning of the 20th century. They can be found in the MOMA, among other places. Sculpture in polymer moulding, size 5 x 14 x 5 cm (W/H/D).
The horse - Franz Marc's favourite motif - is the symbol of life par excellence. It connects past and future, heaven and earth. Powerful and dynamic, it stands on the ground of reality and yet soars upwards into heavenly spheres. The colour blue symbolises the overriding spiritual, freedom and infinity. Sculpture based on the original painting from 1911, polymer moulding, cast by hand and painted by hand. Size 12 x 25 x 22 cm (W/H/D).
The Belgian Freddy De Waele has been working with figurative design for a long time. His expressive sculptures often have a childlike, light and playful quality. Sculpture in fine bronze, patinated, cast by hand using the lost wax technique. Includes oak wood base. Limited edition of 75 pieces, numbered and signed, with certificate. Sculpture size 54 x 28 x 47.5 cm (h/w/d). Size of plinth 3.5 x 18 x 18 cm (h/w/d). Weight approx. 6 kg.
The Belgian Freddy De Waele has been working with figurative design for a long time. His expressive sculptures often have a childlike, light and playful quality. Sculpture in fine bronze, patinated, cast by hand using the lost wax technique. Limited edition of 75 pieces, numbered and signed, with certificate. Size 22.5 x 42 x 11 cm (h/w/d). Weight approx. 4 kg.
The Belgian Freddy De Waele has been working with figurative design for a long time. His expressive sculptures often have a childlike, light and playful quality. In his 'Tree of Joy', he shows cheerful children climbing a tree and thus refers to the joy of simple things. Sculpture in fine bronze, patinated and polished with an oak base. Cast by hand using the lost wax technique. Limited edition of 75 pieces, numbered and signed, with certificate. Size 65.5 x 38 x 18 cm (h/w/d). Weight 3 kg.
Friedensreich Hundertwasser spent a lifetime studying nature as a partner of mankind and called for a peace treaty with nature. The porcelain object 'Soul Tree Flower' reflects the longing for life, for beauty in harmony with nature. Work number PM XIV, variation after 925, produced exclusively for ars mundi by the Königlich privilegierte Porzellanmanufaktur Tettau. The high-quality object is set with real gold and manufactured with 16 special colours. Fired 3 times. Height 32 cm, diameter 15 cm. Strictly limited edition of 999 pieces, individually numbered by hand.accessories: The high-quality object 'Seelenbaum-Blume' is delivered in an exclusive black cardboard box with gold print. Copyright 2011 NAMIDA AG, CHThe illustrated works are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these images. Infringements will be prosecuted under criminal and civil law.The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Zilly erects a monument to serenity, a long-forgotten and yet so important quality of the true philosopher today.edition in bronze, cast in the lost wax process, chiselled and patinated by hand. Limited edition of 49 copies, numbered and signed. Size 41 x 14 x 19 cm (H/W/D). Weight 9.2 kg.
What will the future bring? Whatever it is, we should always face it with the greatest possible foresight. Then, like Zilly's man with binoculars, you have reason to be optimistic and serene. Edition in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited to 49 numbered and signed copies. Size 35 x 20 x 13 cm (h/w/d). Weight approx. 5 kg.
Sculpture in fine bronze, patinated and polished. Cast by hand using the lost wax technique. Limited edition of 9 pieces, numbered and signed. Size 31 x 10 x 10 cm (h/w/d), on a bronze plate, size 18 x 18 cm. Weight 4.5 kg.
Sculpture in fine bronze, patinated and polished. Cast by hand using the lost wax technique. Limited edition of 9 pieces, numbered and signed. Size 30 x 15 x 15 cm (H/W/D), on a bronze plate, size 15 x 15 cm. Weight 5.7 kg.
The original idea for Garda Alexander's 'Seed' sculptures came about during a dive. Inspired by the fascinating underwater world, she created a model out of paper, later out of wax. During the creation process, parallels were found with the brain or seeds, due to the shape she did not see at first. Just as she was inspired by nature itself, she wants to inspire the viewers of her works. Magical blue seed: Alexander's impressive interpretation of the originality of being. Unique piece in blue patinated copper, signed. Size 26 x 26 x 26 cm (H/W/D). Weight approx. 4 kg.
The original idea for Garda Alexander's 'Seed' sculptures came about during a dive. Inspired by the fascinating underwater world, she created a model out of paper, later out of wax. During the creation process, parallels were found with the brain or seeds, due to the shape she did not see at first. Just as she was inspired by nature itself, she wants to inspire the viewers of her works. Every idea that arises from our mind shapes our reality - it is from this thought that Alexander's interpretation of a thought seed was born. Unique piece in waxed bronze, signed. Size 26 x 26 x 26 cm (H/W/D). Weight approx. 12 kg.
The original idea for Garda Alexander's 'Seed' sculptures came about during a dive. Inspired by the fascinating underwater world, she created a model out of paper, later out of wax. During the creation process, parallels were found with the brain or seeds, due to the shape she did not see at first. Just as she was inspired by nature itself, she wants to inspire the viewers of her works. Garda Alexander's interpretation of a symbolic or metaphorical representation of our mind as the creator of our reality. Unique piece in brightly pigmented copper, signed. Size 26 x 26 x 26 cm (h/w/d). Weight approx. 3.2 kg.
Grace and naturalness: Georg Kolbe's 'Crouching Japanese Woman'. ars mundi exclusive edition, published in co-operation with the Kunsthalle Bremen. The 'Japanese Woman' - a dancer and daughter of a Berlin woman and a Japanese man modelled for Kolbe - a young, self-confident woman in a completely unacademically executed naturalism. Sculpture in fine bronze, patinated. Cast by hand using the lost wax technique. Moulded directly from the original and reduced in size (reduction). Limited edition of 980 copies, individually numbered and bearing the signature and foundry mark taken from the original. ars mundi exclusive edition, published in collaboration with the Kunsthalle Bremen. With numbered certificate of authenticity and limitation. Size 26 x 13 x 12 cm (h/w/d). Weight approx. 3.8 kg. 'The sculpture of the 'Kauernde Japanerin' by Kolbe demonstrates the artist's great powers of observation and his ability to express inner calm and contemplation. The pose of the young Japanese woman is borrowed from a popular Hellenistic work depicting the crouching Aphrodite of Doidalsas (3rd century BC). Kolbe transforms the intimate motif of the goddess kneeling in the bath into a delicate gesture of submerged realisation of individual existence. (Prof. Dr Christoph Grunenberg, Director of the Kunsthalle Bremen)
