He was the 'Bohemian' par excellence. Modigliani knew no boundaries and cared little for conventional wisdom. This is how he found his very own, unmistakable style, which still looks as modern today as it did 90 years ago. Figure made of hand-painted, porcelain-like cast resin. Height 20 cm.
He was the 'Bohemian' par excellence. Modigliani knew no boundaries and cared little for conventional wisdom. This is how he found his very own, unmistakable style, which still looks as modern today as it did 90 years ago.figure made of hand-painted, porcelain-like cast resin. Height 22 cm.
He was the 'Bohemian' par excellence. Modigliani knew no measure and no boundaries and cared little for conventional wisdom. This is how he found his very own, unmistakable style, which still looks as modern today as it did 90 years ago... Figure made of hand-painted, porcelain-like cast resin. Height 15.5 cm.
Stone witnesses to prehistoric times: At the time of the first flowering plants, when life was taking off, organisms in the vast lagoons of the Jurassic Sea were transformed into minerals, into natural works of art and stone witnesses to ancient communities. Their study provided the basis for evolutionary research. Our faithful reproductions of famous and unique fossils give you a deep insight into the life of the primeval world. This cephalopod species owes its name Ammonite or Ammon's horn - named after the ram's horn of the Egyptian god Ammon - to its extremely decorative outer shell, which is reminiscent of a snail shell. The species hybonotum of the genus Hybonoticeras (dorsal horn) with the characteristic wide spiral is the lead fossil for the Solnhofen Formation. Jurassic/Malm about 150 million years. Original: Private collection, limestone. Faithful reproduction in stone mass, patinated. Format 40 x 50.
Her sculpture 'Justitia' is a very personal visualisation of the theme of justice and fairness. The depiction with scales and a blindfold in front of her eyes, which adorns numerous courtrooms, town halls and residences, also dates from this period. It decides 'without regard to the person'. The two artists ironise the customary depictions and inspire all kinds of thought-provoking games. For example, 'Justitia' wears a sticking plaster in front of her eyes - a reaction to the violation of justice and the law all over the world? With her symmetrically outstretched weighty arms, her figure itself is reminiscent of a pair of scales. In both her hands are two hearts, one of which is horned: to be right is not to be right... Two thirds of Justice's body consists of a paragraph sign: Justice is based on the law! Sculpture in bronze. Limited world edition of 199 pieces - 29 of which are numbered in Roman numerals. Cast by hand using the lost wax technique. Hand-painted, finely polished, numbered, signed and hallmarked with the foundry stamp. Size 41.5 x 44.5 x 10 cm. Weight 6 kg. Arabic numbered version: hand-painted bronze sculpture according to the artists' specifications. Limited world edition of 170 copies (from 1/170 to 170/170).
Inspired by the traditional depictions of Buddha, Andora and Della have created a modern interpretation of the enlightened one with their 'Flying Buddha Doll'. It is not an altarpiece, but a symbol for people today. Independent, self-confident and free from dogma. Just as Buddha was in his day. Flying Buddha rests within himself, his smile is introverted. Sitting on the cloud throne, the world lies at his feet. The candle, a symbol of enlightenment, reflects humanity, warmth and poetry. The key opens up new spaces of realisation and is therefore also the key to happiness. Hand-cast, numbered, signed and hallmarked. Elaborately patinated and painted by hand. Size 18 x 17 x 12 cm. Edition in fine bronze. Cast using the lost wax technique. Limited edition of 99 pieces. Weight 2.5 kg.
Bucci's female figure, deeply rooted in the art history of Christian depictions of the Virgin Mary, shows a modern female figure whose visible heart protrudes from her cloak-like body. A symbol of love, protection and care. Edition in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited to 49 numbered and signed copies. Size 27 x 24 x 12 cm (H/W/D). Weight 5.5 kg.
Bucci combines the quasi 'mathematical' construction of the cone, sharpened in continuous loops, with a figure that sets out to conquer infinity. Sculpture in fine bronze, chiselled and patinated. Cast by hand using the lost wax technique. Limited edition of 49 pieces, numbered and signed. Format 25 x 24 x 13 cm (h/w/d). On a bronze plinth: height 0.4 cm, Ø 10.5 cm. Weight approx. 4 kg.
Silence made visible: Bucci's figure listens motionlessly into the world and invites the viewer to do the same. Sculpture in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited edition of 14 pieces, numbered and signed. Size 42 x 38 x 29 cm (h/w/d). Weight approx. 23.2 kg.
The eternally harmonious circling of celestial bodies and galaxies, depicted as an elegant cosmic dance.edition in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited edition of 49 pieces, numbered and signed. Format 69 x 24 x 24 cm (H/W/D). Weight 8.3 kg.
The German sculptor Andrea Kraft makes people in the area of tension between individuality and external influences the subject of her work. In her sculpture 'Family II', she visualises the special network of relationships within a family. All family members are closely connected to each other and form a harmonious unit as a closed circle. Sculpture in bronze, cast using the lost wax technique, chiselled and patinated by hand, on a plexiglass base. Limited edition of 49 pieces, numbered and signed. Format including base 30 x 33 x 18 cm (h/w/d). Format base 1.5 x 20 x 20 cm (h/w/d). Weight approx. 16.97 kg.
The all-too-human in animal form: Goethe's 'Reineke Fuchs''To wisdom be converted / Soon everyone and shun evil, honour virtue! / This is the meaning of the song in which the poet / Mixes fable and truth, so that you may separate evil from good / And cherish wisdom, so that the buyers / Of this book may learn daily from the course of the world.'This is how Johann Wolfgang von Goethe's epic poem 'Reineke Fuchs' ends. It is an old story that was already being told in the Middle Ages. Goethe turns it into a world panopticon with human weaknesses and vanities cloaked in animal figures: There is the eponymous Reineke, who knows how to talk his way out of every situation with cunning and peasant cunning, there is the faithful and yet somewhat stupid badger Grimbart, there is the eternally hungry bear Braun and the wolf Isegrim, who, despite his superior strength, knows nothing to counter Reineke's cunning. And finally, there is Nobel the lion, who is actually quite noble but ultimately allows himself to be compromised by his greed (for gold) - they all have human, all too human traits. Meissen porcelain artist Andreas Ehret, born in 1959, has moulded them into an original porcelain series. 'Porcelain,' he says, 'is a charismatic material, a challenge to animate it, to question it by bringing conflict into the moulds. He has succeeded in doing this here - and so the buyers of these figures may also be 'taught by the course of the world every day'.sculpture 'Brown, the bear': size 18 x 9 x 8 cm (h/w/d), signed.
The breath of happiness and sensuality, depicted by the artist Andreas Gomez in the form of a female face. Sculpture made of bronze-coated artificial marble on a graphite base. Size 28 x 26 x 11 cm (H/W/D). Weight approx. 3.3 kg.
The appropriate wood is carefully selected by hand for each object, carved to an outstanding quality and then hand-painted with great attention to detail. Delicate mountain roses climb up both sides of this magnificent niche designed by Andreas Mussner for his rose Madonna. The niche is carved by hand in the finest lime wood, lavishly painted and partially gilded. Height of the Madonna 30 cm, size of the niche 32 x 51 cm (W/H).
The appropriate wood is carefully selected by hand for each object, carved to an outstanding quality and then hand-painted with great attention to detail. The rose is an ancient symbol of beauty, pain and love. The rose Madonna is one of the most popular representations of the Dolomite Valley and has a red rose in her hair. The 1.60 metre high monumental version of this Madonna can be found in the rose garden near Merano. Hand-carved sycamore maple, lavishly painted and partly gilded. Height 30 cm.
Sculpture consisting of two parts. Made of cast art with a stone look, bronze-coloured and green patinated. There is a small gold-coloured plate with the artist's signature engraved on the base. Size approx. 57 x 9.5 x 18 cm each (H/W/D). Weight approx. 6 kg.
The connection between man and woman. Angeles Anglada's sculpture 'Agreement' is an unusual home accessory with plenty of potential for philosophical contemplation. Cast stone, green and bronze patinated. Size 35.5 x 29 x 18 cm (h/w/d).
The dove is a symbol of peace not only in Picasso's work, but also in the Old Testament. Angeles Anglada's sculpture captures the moment in which the dove is about to take off from the hands that gently hold it, to which it will return after a hopefully successful mission as a bringer of peace with the olive branch. Cast stone effect, green and gold patinated. There is a small gold-coloured plaque with the artist's signature engraved on the marble base. Size 33 x 37 x 32 cm (h/w/d). Total weight approx. 4.75 kg.
The connection between man and woman. Angeles Anglada's 'Appreciation' sculpture is an unusual home accessory with plenty of potential for philosophical contemplation.sculpture made of cast stone, green and bronze patinated. Size 27.5 x 23 x 23 cm (h/w/d).
The two of them face each other lovingly. The group of figures by Spanish artist Angeles Anglada shows a couple under an umbrella, which not only protects them from the rain or sun, but is also generally regarded as a symbol of security and happiness. There is a small gold-coloured plate with the artist's signature engraved on the marble base. Size 44 x 15 x 15 cm (h/w/d). Total weight approx. 2.9 kg.
The connection between man and woman. Angeles Anglada's sculpture 'Beieinander' is an unusual home accessory with plenty of potential for philosophical contemplation. Cast stone, green and bronze patinated. Size 34 x 33 x 25 cm (h/w/d).
The connection between man and woman. Angeles Anglada's sculpture 'Contact' is an unusual home accessory with plenty of potential for philosophical contemplation. Cast stone, green and bronze patinated. Size 31 x 18 x 23 cm (h/w/d).
The kiss - sensitively staged by the internationally recognised Spanish artist Angeles Anglada.sculpture made of cast art in stone look, green patinated and signed. Only available in this colour as an ars mundi exclusive edition. Format 20 x 35 x 13 cm (W/H/D). Weight approx. 4.5 kg.
The loving bond between two people, sensitively and delicately staged by the internationally recognised Spanish artist Angeles Anglada.sculpture made of cast art with a stone look, green patina, signed. Size 23 x 30 x 11 cm (W/H/D).
