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19th century/around 1900
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ars mundi
Artist
Adelbert Heil
Ado Santini
Ad van Hassel
Alain Choisnet
Alexander Heil
Alfredo Llorens GarcÃa
Alla GrAnde
Allen Jones
Amedeo Modigliani
Andora + Della
Andrea Bucci
Andrea Kraft
Andreas Ehret
Andreas Gomez
Andreas Mussner
Angeles Anglada
Angelika Kienberger
Ann Vrielinck
Annette Diekemper
Annie Jungers
Antoine-Louis Barye
Antonio Canova
Antonio de Andrés-Gayón
Apollonius
Aristide Maillol
Arman
Armando di Nunzio
August Macke
Auguste Rodin
Axel Luther
BJ Keith
Benvenuto Cellini
Bernard Kapfer
Bernardo Esposto
Bernd Bergkemper
Bernhard Hoetger
Bernhard Jäger
Birgit Stauch
Bruno Bruni
C. Jeré
Carl Spitzweg
Carlo Maria Mariani
Carmen Miller
Chen Jinqing
Chen Wenling
Christian Daniel Rauch
Christoph Fischer
Christoph Pöggeler
Christophe-Gabriel Allegrain
Cordula Dobes
Cornelius Vandeputte
Costanzo Mongini
Cyrus Overbeck
D. da Settignano
Dagmar Vogt
Damiano Taurino
Daniel Engelberg
Daniel Giraud
David Gerstein
David Laugomer
Dieter Finke
Doppeldenk
Edgar Degas
Egon Schiele
Emil Nolde
Eric Perathoner
Ernst Barlach
Ernst Fuchs
Ernst Fuchs & Joseph F. Askew
Erwin A. Schinzel
Etienne-Maurice Falconet
Evert den Hartog
Fabian Ewert
Falko Hamm
Fidelma Massey
Francis Méan
Francois Pompon
Franz Marc
François Pompon
Freddy de Waele
Friedensreich Hundertwasser
Friedhelm Zilly
Garda Alexander
Georg Kolbe
Gerard
Gerhard Brandes
Gerhard Kluckow
Giovanni da Bologna
Gisela von Wittich - v. Poncet
Gudrun Steen-Andersen
Guido Deleu
Guido Häfner
Guillermo Forchino
Gustav Klimt
Guy Buseyne
Gábor Török
Günter Grass
Günther Christlein
Günther Stimpfl
Hannes Glut
Hans-Peter Mader
Hans Daucher
Hans Hellmich
Hans Nübold
Hans Otto Lohrengel
Hans Rabanser
Hans am Ende
Heiner Thiel
Heinz Rupp
Helge Leiberg
Henri Michel Chapu
Herbert Fricke
Hubert Lang
Hüseyin Arda
Ilona Schmidt
Itzik Benshalom
Ivan Lardschneider
J. Nemecek
Jacques Vanroose
Jagna Weber
James Rizzi
Jamie Salmon
Jan Köthe
Jan M. Petersen
Jana Linn
Janina Lamberty
Jean Goujon
Jochen Bauer
Johann Gottfried Schadow
Johann Robert Korn
Johanna Schelle
Johannes D. Zoller
Joseph Enseling
Joseph F. Askew
Josette Taramarcaz
Julius Thomas Tamar
Jutta Römhild
Jörg Herz
Jürgen Ebert
Jürgen Götze
Karin Lutz
Karl Manfred Rennertz
Kay
Kay Winkler
Kerstin Stark
Klaus Albert
Klaus Börner
Knuth Seim
Kris Demuelenaere
Kristin Kolb
Krystian Xaver
Kuno Vollet
Kurt Arentz
Käthe Kollwitz
Lana Frey
Leo Wirth
Leochares
Leonardo da Vinci
Lladró
Lluis Jorda
Loriot
Loy Hering
Luigi Colani
Luis Höger
Luise Kött-Gärtner
Ma Tse Lin
Magnus Kleine-Tebbe
Manel Vidal
Manfred Kielnhofer
Manfred Reinhart
Marc Caelenberghe
Marcus Meyer
Marc van Megen
Marg Moll
Margot Stöckl
Maria-Luise Bodirsky
Marianne Mostert
Marino Marini
Markus Lüpertz
Martin Pottgiesser
Mathieu Molitor
Matteo Mauro
Michael Becker
Michael Jastram
Michael Pfannschmidt
Michael Pickl
Michael Tolloy
Michael Vogler
Michael Wedig
Michal Trpák
Michel Favre
Michelangelo Buonarroti
Miguel GuÃa
Monika Wex
Mordillo
Moritz Götze
Nikolaus Weiler
Nikolay Anev
Olaf Teichmann
Oliver Franneck
Oscar Alvariño Belinchon
Ottmar Hörl
Otto Waalkes
Patricia Losada Casanova
Patrick Preller
Paul Gauguin
Paul Wunderlich
Peter Hermann
Peter Hohberger
Peter Strang
Phidias
Pierre-Paul Maillé
Pierre Jules Mêne
Praxiteles
Raffaella Benetti
Raimund Schmelter
Rainer Kriester
Rainer Stiefvater
Renaat Ramon
René Magritte
Richard Orlinski
Richard Senoner
Robert Simon
RobiN
Roman
Roman Johann Strobl
Romero Britto
Rony
Rosalie
Rudolf Hausner
SIME
SOPHIA enjoy thinking
Sabrina Seck
Sebastian Loscher
Sebastian Welzel
Sepp Mastaller
Sequenze
Serge Mangin
Serge Perrot
Sergio Burcialo
Sibylle Rettenmaier
Sibylle Waldhausen
Siegfried Neuenhausen
Sofia Speybrouck
Sorina von Keyserling
Stefan Szczesny
Stefanie von Quast
Stephan Siebers
Susanne Immer
Sybille de Braak
Tamara Suhr
Theophil Steinbrenner
Thomas Baumgärtel
Thomas Jastram
Thomas Otto
Thomas Schöne
Tilman Riemenschneider
Toby Wichmann
Toledano
Torsten Mücke
Umberto Boccioni
Uwe Spiekermann
Valerie Otte
Vera Borghgraef
Vitali Safronov
Vittorio Luigi Tessaro
Volkmar Haase
Wendy Harrison
Wiebke Bader
Wilhelm Busch
Wilhelm Lehmbruck
Willi Kissmer
Wolf Gerlach
Wolfgang Hugo Rheinhold
Yoni Alter
Yves Rasch
Zhang Hui
Örn Porsteinsson
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Auguste Rodin: Sculpture 'Eternal Spring' (1884), version in artistic bronze
Through impressionistic surface modelling, the artist achieves an interplay of light: flickering highlights and mysterious shadows animate his figures and bring them to life. 'I am not saying that the woman is like a landscape that is changed by the incidence of sunlight, but the comparison is apt', Rodin said in the spirit of Impressionism.Original: Bronze, Musée Rodin, Paris. Created in 1884. ars mundi museum replica. Reduction. Version in polymer art casting with bronzed surface. Cast by hand using the lost mould technique. Height 18 cm. Width 31 cm.
€620.00
Details
Auguste Rodin: Sculpture 'Eva', reduction in art casting
With Eve, who embraces herself in shame, Rodin created a key figure of modern man, who is thrown back on himself without divine assistance. Together with Adam, the figure was originally intended to flank the main entrance to the Musée des Arts Décoratifs in Paris as part of the Gates of Hell. Like Rodin's Thinker, it is an outstanding work of modern sculpture that has its roots in Dante's Divine Comedy and is a visible homage to Michelangelo.' (Dr Katja Lembke, Director of the Landesmuseum Hannover)Original: Bronze, c. 1881, height 173 cm, Landesmuseum Hannover. Directly moulded from the original and reduced in size (reduction). Cast stone with bronzed surface. Size 48.5 x 13 x 15 cm (h/w/d).
€780.00
Details
Auguste Rodin: Sculpture 'La Danaide' (1889/90), version in artificial marble
Original: Bronze, Musée Rodin, Paris. Created 1889/90. ars mundi museum replica, cast by hand. Reduction. Version in white, polymer-bonded artificial marble. Size 21 x 41 x 24 cm (h/w/d). Weight approx. 12.5 kg.
€620.00
Details
Auguste Rodin: Sculpture 'La Danaide' (1889/90), version in artistic bronze
Original: Bronze, Musée Rodin, Paris. Created in 1889/90, museum replica, cast by hand. Reduction. Version in polymer moulding with bronzed surface. Height 21 cm. Weight approx. 14 kg.
€740.00
Details
Auguste Rodin: Sculpture 'La Danaide' (1889/90), version in bronze
Original: Bronze, Musée Rodin, Paris. Created 1889/90. ars mundi museum replica, cast by hand. Reduction. Version in fine bronze, cast using the lost mould technique. Height 21 cm. Weight approx. 14 kg.
€2,880.00
Details
Auguste Rodin: Sculpture 'Pierre de Wissant', bronze version
Rodin's famous 'Burghers of Calais' are a historical symbol of self-sacrifice: during the Hundred Years' War, Calais was besieged by the English fleet and offered heroic resistance for 11 months until the inhabitants, suffering from famine, offered to surrender. King Edward III accepted on the condition that six citizens volunteered to be executed on behalf of the town: 'bareheaded and unshod - dressed in the poor sinner's smock and with a rope around their necks'. At the request of Queen Philippine, Edward III spared the lives of the brave men and refrained from destroying the city. 1886 was the first time that Auguste Rodin depicted the courageous deeds of ordinary citizens rather than the powerful. Today, a cast of the life-size sculpture group stands as a national monument in England and France behind the Houses of Parliament in London, in the garden of the Musée Rodin in Paris - and in the Metropolitan Museum of Art, New York. Faithful museum replica. Edition in fine bronze, cast using the lost wax technique, chiselled, polished and patinated by hand. Height 43 cm. Weight approx. 6 kg.
€2,480.00
Details
Auguste Rodin: Sculpture 'Pierre de Wissant', version in artistic bronze
Rodin's famous 'Burghers of Calais' are a historical symbol of self-sacrifice: during the Hundred Years' War, Calais was besieged by the English fleet and offered heroic resistance for 11 months until the inhabitants, suffering from famine, offered to surrender. King Edward III accepted on condition that 6 citizens volunteered to be executed on behalf of the town: 'bareheaded and unshod - dressed in the poor sinner's smock and with a rope around their necks'. At the request of Queen Philippine, Edward III spared the lives of the brave men and refrained from destroying the city. 1886 was the first time that Auguste Rodin depicted the courageous deeds of ordinary citizens rather than the powerful. Today, a cast of the life-size sculpture group stands as a national monument in England and France behind the Houses of Parliament in London, in the garden of the Musée Rodin in Paris - and in the Metropolitan Museum of Art, New York. Edition as a polymer ars mundi museum replica, cast by hand in polymer art bronze, finely patinated. Height of the sculpture 43 cm.
€690.00
Details
Auguste Rodin: Sculpture 'The Age of Bronze' (1876), large version in artistic bronze
'The Age of Bronze' - the original title was 'The Vanquished' - was Rodin's first bronze sculpture. The decisive influences of his trip to Italy, where he encountered works by Michelangelo and Donatello, are clearly recognisable. At the Paris and Brussels Salon in 1877, this sculpture caused a scandal due to its pronounced realism.Original: Bronze, Musée Rodin, Paris / Metropolitan Museum of Art, New York. Created in 1876. ars mundi museum replica version, cast by hand in polymer moulding with bronzed surface. Height 63 cm. Weight approx. 14 kg.
€1,480.00
Details
Auguste Rodin: Sculpture 'The Age of Bronze' (1876), large version in bronze
'The Age of Bronze' - the original title was 'The Vanquished' - was Rodin's first bronze sculpture. The decisive influences of his trip to Italy, where he encountered works by Michelangelo and Donatello, are clearly recognisable. At the Paris and Brussels Salon in 1877, this sculpture caused a scandal due to its pronounced realism.Original: Bronze, Musée Rodin, Paris / Metropolitan Museum of Art, New York. Created in 1876, version in precious bronze, cast using the lost mould technique. Height 63 cm. Weight approx. 14 kg.
€4,480.00
Details
Auguste Rodin: Sculpture 'The Age of Bronze' (1876), small cast version
'The Age of Bronze' - the original title was 'The Vanquished' - was Rodin's first bronze sculpture. The decisive influences of his trip to Italy, where he encountered works by Michelangelo and Donatello, are clearly recognisable. At the Paris and Brussels Salon in 1877, this sculpture caused a scandal due to its pronounced realism.Original: Bronze, Musée Rodin, Paris / Metropolitan Museum of Art, New York. Created in 1876. reduction. Polymer ars mundi museum replica, cast by hand. Height 36 cm.
€580.00
Details
Auguste Rodin: Sculpture 'The Age of Bronze' (1876), small version in bronze
'The Age of Bronze' - the original title was 'The Vanquished' - was Rodin's first bronze sculpture. The decisive influences of his trip to Italy, where he encountered works by Michelangelo and Donatello, are clearly recognisable. At the Paris and Brussels Salon in 1877, this sculpture caused a scandal due to its pronounced realism.Original: Bronze, Musée Rodin, Paris / Metropolitan Museum of Art, New York. Created in 1876, version in precious bronze, cast by hand using the lost mould technique. Height 36 cm.
€1,980.00
Details
Auguste Rodin: Sculpture 'The Cathedral' (1908), bronze version
The name of the Gothic cathedral, which reaches for the heavens, is derived from the Greek kathedra, meaning 'seat of God'. For the sculptor Rodin, hands epitomised the creative, divine power of creation. Without touching each other, they embrace the space in which the idea, the divine spark, is created, like a dance of hands. With his study, Rodin elevated the fragment to a complete sculpture and thus anticipated large areas of modern sculpture. Original: Bronze, 65 cm high, Musée Rodin, Paris. Reduction. Version in precious bronze. Cast by hand from the lost mould. Height 36.5 cm. Weight approx. 11 kg.
€4,480.00
Details
Auguste Rodin: Sculpture 'The Cathedral' (1908), version in artistic bronze
The name of the Gothic cathedral, which reaches for the heavens, is derived from the Greek kathedra, meaning 'seat of God'. For the sculptor Rodin, hands epitomised the creative, divine power of creation. Without touching each other, they embrace the space in which the idea, the divine spark, is created, like a dance of hands. With his study, Rodin elevates the fragment to a complete sculpture and thus anticipates large areas of modern sculpture. Original: Bronze, 65 cm high, Musée Rodin, Paris. Reduction. Polymer ars mundi museum replica cast by hand, with bronzed surface. Height 36.5 cm. Weight approx. 11 kg.
€920.00
Details
Auguste Rodin: Sculpture 'The Cathedral' (Étude pour le secret'), art bronze
The name of the Gothic cathedral, which reaches for the heavens, is derived from the Greek kathedra, meaning 'seat of God'. For Rodin, the hands epitomised the creative, divine power of creation. Without touching each other, they embrace the space in which the idea, the divine spark, is created, like a dance of hands. With his study, Rodin elevated the fragment to a complete sculpture, thus anticipating large areas of modern sculpture. Original: Bronze, 65 cm high, Musée Rodin, Paris. Created in 1908. reduction. Polymer ars mundi museum replica, cast by hand, with bronzed surface. Height 15 cm.
€490.00
Details
Auguste Rodin: Sculpture 'The Cathedral' (Étude pour le secret), version in artistic bronze
'Why are our Gothic cathedrals so beautiful? Because here, in all representations of life, one discovers a characteristic of heavenly love. Rodin believed that the pointed arch, the most important element of Gothic cathedral architecture, originated from the gesture of hands raised in prayer. Original: Bronze, Musée Rodin, Paris. Created in 1908. ars mundi polymer museum replica cast by hand with bronzed surface. Height including base 18.5 cm. Weight approx. 2 kg.
€490.00
Details
Auguste Rodin: Sculpture 'The Cathedral' (Étude pour le secret), version in bronze
'Why are our Gothic cathedrals so beautiful? Because here, in all representations of life, one discovers a characteristic of heavenly love. Rodin believed that the gesture of hands raised in prayer gave rise to the pointed arch, the most important element of Gothic cathedral architecture. Original: Bronze, Musée Rodin, Paris. Created in 1908, museum replica. Version in fine bronze, cast using the lost mould technique, chased, polished and patinated by hand. Height including base 18.5 cm. Weight approx. 2 kg.
€1,480.00
Details
Auguste Rodin: Sculpture 'The Hand of God' (1917), bronze version
The female torso in Rodin's hand vividly symbolises what drove him throughout his life: the indomitable will to give clay its final form and life. Rodin himself still sculpted the female torso, Amédé Bertault took the cast of the hand on Rodin's deathbed.Original: Bronze, Musée Rodin, Paris / Metropolitan Museum of Art, New York. Created in 1917. ars mundi museum replica, cast by hand. Version in precious bronze, cast using the lost mould technique. Size 24 x 15 x 12 cm. Signed in the mould. Weight approx. 1.5 kg.
€1,740.00
Details
Auguste Rodin: Sculpture 'The Hand of God' (1917), version in artificial marble
The female torso in Rodin's hand vividly symbolises what drove him throughout his life: the indomitable will to give clay its final form and life. Rodin himself still sculpted the female torso, Amédé Bertault took the cast of the hand on Rodin's deathbed. Original: Bronze, Musée Rodin, Paris / Metropolitan Museum of Art, New York. Created in 1917. ars mundi polymer museum replica, cast by hand: Version in white polymer-bonded artificial marble. Size 24 x 15 x 12 cm. Signed in the mould. Weight approx. 1.5 kg.
€498.00
Details
Auguste Rodin: Sculpture 'The Hand of God' (1917), version in artistic bronze
The female torso in Rodin's hand vividly symbolises what drove him throughout his life: the indomitable will to give clay its final form and life. Rodin himself still sculpted the female torso, Amédé Bertault took the cast of the hand on Rodin's deathbed.Original: Bronze, Musée Rodin, Paris / Metropolitan Museum of Art, New York. Created in 1917. ars mundi museum replica cast by hand in polymer art casting with bronzed surface. Size 24 x 15 x 12 cm. Signed in the cast. Weight approx. 1.5 kg.
€520.00
Details
Auguste Rodin: Sculpture 'The Kiss' (19 cm), art casting
One of the most beautiful works of modern sculpture: Eros and Passion - 'The Kiss' by Auguste Rodin In this grandiose sculpture, Rodin depicts the moment of rapture in which the two lovers find each other in a passionate embrace. In a storm of emotions, the artist visualises the fateful significance of the scene. Rodin's art of vibrating surfaces, expressively curved bodies and insistent gestures of desire are an expression of energised states of mind. Original: Bronze, Musée Rodin, Paris. Created in 1888/89. ars mundi polymer museum replica, cast by hand with a bronzed surface. Reduction. Height 19 cm.
€248.00
Details
Auguste Rodin: Sculpture 'The Kiss' (27 cm), bronze version
One of the most beautiful works of modern sculpture: Eros and Passion - 'The Kiss' by Auguste Rodin In this grandiose sculpture, Rodin depicts the moment of rapture in which the two lovers find each other in a passionate embrace. In a storm of emotions, the artist visualises the fateful significance of the scene. Rodin's art of vibrating surfaces, expressively curved bodies and insistent gestures of desire are an expression of energised states of mind. Original: Bronze, Musée Rodin, Paris. Created in 1888/89, museum replica. Version in precious bronze, cast using the lost mould technique. Reduction. Size incl. slide base 26 x 17 x 17.5 cm (h/w/d). Weight approx. 5.1 kg. Base 2.8 x 17 x 17 cm (h/w/d).
€1,740.00
Details
Auguste Rodin: Sculpture 'The Kiss' (27 cm), version in artificial marble
One of the most beautiful works of modern sculpture: Eros and Passion - 'The Kiss' by Auguste Rodin In this grandiose sculpture, Rodin depicts the moment of rapture in which the two lovers find each other in a passionate embrace. In a storm of emotions, the artist visualises the fateful significance of the scene. Rodin's art of vibrating surfaces, expressively curved bodies and insistent gestures of desire are an expression of energised states of mind. Original: Bronze, Musée Rodin, Paris. Created in 1888/89. ars mundi museum replica cast by hand in white, polymer-bonded artificial marble. Reduction. Size incl. slide base 27 x 17 x 18 cm (h/w/d). Weight approx. 5.7 kg. Base 2.5 x 17 x 17 cm (h/w/d).
€540.00
Details
Auguste Rodin: Sculpture 'The Kiss' (27 cm), version in artistic bronze
One of the most beautiful works of modern sculpture: Eros and Passion - 'The Kiss' by Auguste Rodin In this grandiose sculpture, Rodin depicts the moment of rapture in which the two lovers find each other in a passionate embrace. In a storm of emotions, the artist visualises the fateful significance of the scene. Rodin's art of vibrating surfaces, expressively curved bodies and insistent gestures of desire are an expression of energised states of mind. Original: Bronze, Musée Rodin, Paris. Created in 1888/89. ars mundi polymer museum replica, cast by hand. With bronzed surface. Reduction. Size incl. slide base 27 x 17 x 18.5 cm (h/w/d). Weight approx. 5.8 kg. Base 3 x 17 x 17 cm (h/w/d).
€780.00
Details
Auguste Rodin: Sculpture 'The Thinker' (26 cm), art bronze
This major work by the most important European sculptor of his time is regarded as a symbol of human reason and creative power. 'He is dreaming', says Rodin about his masterpiece. 'Slowly the fertile thought develops in his brain. Suddenly he is no longer a dreamer; he is a creator.'Just a quarter of a century after its creation, 'The Thinker' became a French national monument: the monumental sculpture was donated to the city of Paris by public subscription and ceremoniously unveiled in front of the Grand Nation's memorial, the Paris Panthéon, in 1906: LE PENSEUR DE RODIN OFFERT is the inscription on the pedestal. A bronze cast stands in the garden of Rodin's last Parisian residence, now the Musée Rodin. Original: Musée Rodin, Paris. Created in 1880, signed in the cast. Polymer ars mundi museum replica, cast by hand. With bronzed surface. Reduction. Height 26 cm.
€248.00
Details
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