Sculpture in fine bronze, cast using the lost wax technique, patinated brown and polished by hand. Limited world edition of 12 copies, individually numbered (8 copies Arabic numbered 1-8/8 + 4 artist's copies Roman numbered I-IV/IV) and labelled with the Hartogs signature emblem. Size 41 x 45 x 24 cm (h/w/d). On a diabase base.
Sculpture in fine bronze, cast using the lost wax technique, patinated grey/black by hand and polished. Limited world edition of 12 copies, individually numbered (8 copies Arabic numbered 1-8/8 + 4 artist's copies Roman numbered I-IV/IV) and labelled with the Hartogs signature emblem. Sculpture size 18 x 37 x 12 cm (h/w/d). On a diabase base.
'Frozen Moments' is the apt title of a book about Evert den Hartog's work. The artist realises the tension of the moment like no other, particularly in his depictions of animals. With his snowy owl, too, the viewer almost expects it to float silently past him in the very next moment. Sculpture in fine bronze, cast using the lost wax technique, patinated grey and polished by hand. Limited world edition of 99 pieces, individually numbered and labelled with the Hartogs signature emblem. Format approx. 33 x 35 x 24 cm (h/w/d). On a slide base, size 4 x 19.5 x 18 cm (h/w/d). Total weight approx. 9 kg.
The dancing bull balances seemingly effortlessly on the diabase plinth, boldly stretching three legs into the air. He looks contentedly into smiling faces - a particularly beautiful symbol for all those who have been able to celebrate success on the trading floor, for example... Sculpture in fine bronze, cast by hand using the lost wax technique. Patinated and polished by hand. Limited world edition of 299 pieces, signed and individually numbered. Format incl. diabase base 39 x 34 x 16 cm (h/w/d). Weight 9.5 kg.
Sculpture in fine bronze, cast by hand using the lost wax technique. Patinated and polished by hand. Limited world edition of 299 pieces, signed and individually numbered. Height incl. diabase base 39.5 cm.
Sculpture in fine bronze, cast using the lost wax technique, patinated in light brown and polished by hand. Limited world edition of 12 copies, individually numbered (8 copies numbered 1-8/8 in Arabic numerals + 4 artist's copies numbered I-IV/IV in Roman numerals) and signed. Format 38 x 19 x 19 cm (h/w/d). On diabase base.
Sculpture in fine bronze, cast using the lost wax technique, patinated brown and polished by hand. Limited world edition of 12 copies, individually numbered (8 copies Arabic numbered 1-8/8 + 4 artist's copies Roman numbered I-IV/IV) and labelled with the Hartogs signature emblem. Size 48 x 35 x 82 cm (h/w/d). On a diabase base.
Sculpture made of lime wood, accentuated with acrylic paint. With the artist's branding stamp on the side and punched work number. Hanging device on the back. Size 47 x 33 x 4 cm (h/w/d). Weight approx. 3 kg.
Sculpture made of lime wood, accentuated with acrylic paint. With the artist's branding stamp on the side and punched work number. Hanging device on the back. Size 50 x 30 x 4 cm (H/W/D). Weight approx. 3 kg.
Sculpture made of lime wood, accentuated with acrylic paint. With the artist's branding stamp on the side and punched work number. Hanging device on the back. Size 43 x 31 x 5 cm (h/w/d). Weight 2.5 kg.
Sculpture made of lime wood, accentuated with acrylic paint. With the artist's branding stamp on the side and punched work number. Hanging device on the back. Size 48 x 35 x 4 cm (h/w/d). Weight approx. 3 kg.
Sculpture made of lime wood, accentuated with acrylic paint. With the artist's branding stamp on the side and punched work number. Hanging device on the back. Size 43 x 30 x 5 cm (h/w/d). Weight 2.5 kg.
Falko Hamm's sculptures are characterised by a very special formal language in which he combines figurative and abstract elements. His bronze sculpture, simply entitled 'Blue Cat', gets by with the essential features of the animal. Even though his sculpture almost only shows outlines, the motif remains clearly recognisable. Sculpture in fine bronze, cast using the lost wax technique. Limited edition of 99 copies, numbered and signed. Format 12 x 22 x 7 cm (W/H/D). Weight 1.8 kg. ars mundi exclusive edition.
Hamm was able to emphasise the most important characteristics of his motifs with a reduced formal language. His 'swan' appears graceful and proud with its flowing forms and few details. Instead of white, it shines in fine bronze, with a polished beak emphasising its elegance. Sculpture in fine bronze. Cast using the lost wax technique, patinated and partially polished. Limited edition of 99 pieces, numbered and signed. With black marble base. Size 17 x 13.7 x 6 cm (h/w/d). Weight 1.3 kg. ars mundi exclusive edition.
Fidelma depicts the sun and moon as eternally alternating lovers facing each other, completing the cycle of the day together. Sculpture in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited edition of 99 pieces, numbered and signed. Size 27 x 24 x 9 cm (H/W/D). Weight approx. 5.67 kg.
Stone witnesses to prehistoric times: At the time of the first flowering plants, when life was taking off, organisms in the vast lagoons of the Jurassic Sea were transformed into minerals, natural works of art and stone witnesses to ancient communities. Their study provided the basis for evolutionary research. Our faithful reproductions of famous and unique fossils give you a deep insight into the life of the primeval world. Pinned to floating tree trunks, the flower-shaped animals, which belong to the echinoderms, swayed in the Swabian Lias Sea with their filigree-looking calyxes. Original: Private property. Place of discovery: Holzmaden/Württemberg. Jurassic Lias epsilon. Slate, approx. 170 million years old. Polymer ars mundi museum replica, moulded by hand. Size 61.5 x 108.5 cm, with hanging device. Weight approx. 31 kg.
Stone witnesses to prehistoric times: At the time of the first flowering plants, when life was taking off, organisms in the vast lagoons of the Jurassic Sea were transformed into minerals, natural works of art and stone witnesses to ancient communities. Their study provided the basis for evolutionary research. Our faithful reproductions of famous and unique fossils give you a deep insight into the life of the primeval world. The ichthyosaur, which descended from land reptiles, was up to 4 metres long. The original was found near Holzmaden/Württemberg. Slate, approx. 170 million years old. Polymer ars mundi museum replica, moulded by hand. Size 122 x 40 cm, with hanging device. Weight approx. 25 kg.
Stone witnesses to prehistoric times: At the time of the first flowering plants, when life was taking off, organisms in the vast lagoons of the Jurassic Sea were transformed into minerals, natural works of art and stone witnesses to ancient communities. Their study provided the basis for evolutionary research. Our faithful reproductions of famous and unique fossils give you a deep insight into the life of the primeval world. Original: Prehistoric times, approx. 150 million years old, Museum of Natural History, Berlin. The most beautiful and best preserved prehistoric bird was excavated in Bavaria. Polymer ars mundi museum replica, moulded by hand. The carefully created replica with limestone effect is a very decorative testimony to the time 150 million years ago. Size 37 x 46 cm, with hanging device. Weight approx. 10 kg.
Stone witnesses to prehistoric times: At the time of the first flowering plants, when life was taking off, organisms in the vast lagoons of the Jurassic Sea were transformed into minerals, natural works of art and stone witnesses to ancient communities. Their study provided the basis for evolutionary research. Our faithful reproductions of famous and unique fossils give you a deep insight into the life of the primeval world. This flying lizard, which lived until the end of the Cretaceous period, had a very aerial skeleton, probably fluttered like a bat and fed on crinoids, notched animals, small fish and insects. Original: Bürgermeister-Müller-Museum, Solnhofen. White Jurassic (Malm), approx. 145 million years old. Limestone. Polymer ars mundi museum replica moulded by hand, covered with felt on the reverse; 2 hanging loops. Size 35 x 20 cm.
Stone witnesses to prehistoric times: At the time of the first flowering plants, when life was taking off, organisms in the vast lagoons of the Jurassic Sea were transformed into minerals, natural works of art and stone witnesses to ancient communities. Their study provided the basis for evolutionary research. Our faithful reproductions of famous and unique fossils give you a deep insight into the life of the primeval world. Testimony to a past dating back 170 million years. Original: limestone, privately owned. Polymer ars mundi museum replica moulded by hand. Size 159 x 55 cm, with hanging device.
Faith in the good and enthusiasm for small, positive moments allow us to dance through life full of optimism. Bronze sculpture on a sandstone base. Size 35 x 14 x 5 cm (H/W/D). Weight approx. 2.1 kg.
