Sculpture in fine bronze, patinated, cast by hand using the lost wax technique. Includes black metal base. Limited edition of 75 pieces, numbered and signed, with certificate. Sculpture size 25 x 33 x 14 cm (H/W/D). Base size 95 x 28 x 28 cm (h/w/d). Weight approx. 12 kg.
The 'Love Birds' sculpture is a charming portrait of a couple celebrating the freedom of life, enjoying each other's company and nature. It creates a positive atmosphere and becomes the centrepiece of any interior.sculpture in fine bronze, patinated, cast by hand using the lost wax technique. Limited edition of 75 pieces, numbered and signed, with certificate. Format 145.5 x 30 x 47 cm (h/w/d). Weight approx. 21 kg.
Sculpture in fine bronze, patinated, cast by hand using the lost wax technique, on a wooden base. Numbered and signed. Size of sculpture with base 15 x 21 x 12 cm (H/W/D). Weight approx. 2 kg.
'Step by Step' is a playful work of art by Belgian designer Guy Buseyne. The piece expresses how great results take time and are achieved step by step. The three delicate bronze figures can be positioned freely as they are attached to the bronze rod with small magnets. Sculpture in fine bronze, patinated, cast by hand using the lost wax technique. Limited edition of 75 pieces, numbered and signed, with certificate. Size 61 x 16 x 10 cm (h/w/d). Weight approx. 1.7 kg.
Do you have your heart in the right place? Would you like to give your heart to a very special person? With the amusing small sculptures by illustrator and sculptor Hannes Glut, you always have the right gift for every occasion: whether it's a birthday, name day, Mother's Day, wedding anniversary or just for a special occasion. The two heart bearers look particularly beautiful as a combination of two - as a sophisticated partner arrangement. As you can see, you don't always have to give flowers. Each of these small sculptures is carefully cast by hand in polymer art casting and finished with a bronze-coloured patina. Height 7 cm.
Do you have your heart in the right place? Would you like to give your heart to a very special person? With the amusing small sculptures by illustrator and sculptor Hannes Glut, you always have the right gift for every occasion: whether it's a birthday, name day, Mother's Day, wedding anniversary or just for a special occasion. The two heart bearers look particularly beautiful as a combination of two - as a sophisticated partner arrangement. As you can see, you don't always have to give flowers. Each of these small sculptures is carefully cast by hand in polymer art casting and patinated in a bronze colour. Height 7 cm.
Do you give good friends a kiss? These two certainly can't get enough of it. Alone, they unmistakably invite you to cuddle them; as a couple, they can hardly be separated from each other. Small sculptures in polymer art casting, cast by hand and hand-patinated in bronze colour. Height 8.5 cm.
Do you give good friends a kiss? These two certainly can't get enough of it. Alone, they unmistakably invite you to cuddle them; as a couple, they can hardly be separated from each other. Small sculptures in polymer art casting, cast by hand and hand-patinated in bronze colour. Height 7.5 cm.
Do you have your heart in the right place? Would you like to give your heart to a very special person? With the amusing small sculptures by illustrator and sculptor Hannes Glut, you always have the right gift for every occasion: whether it's a birthday, name day, Mother's Day, wedding anniversary or just for a special occasion. The two heart bearers look particularly beautiful as a combination of two - as a sophisticated partner arrangement. As you can see, you don't always have to give flowers. Each of these small sculptures is carefully crafted by hand in polymer casting and patinated in a bronze colour. Height 7 cm each.
Do you give good friends a kiss? These two certainly can't get enough of it. Alone, they unmistakably invite you to cuddle them; as a couple, they can hardly be separated from each other. Small sculptures in polymer art casting, cast by hand and patinated by hand in bronze colour. 'Kiss from him': height 8.5 cm; 'Kiss from her': height 7.5 cm.
In the end, Hans' academic studies in Munich proved unfruitful, even paralysing. He found more stimulation in the Schackgalerie and the Pinakothek than in the classroom. The study of anatomy, on the other hand, fascinated him, and so he repeatedly occupied himself with (head) portraits, drawing, etching and modelling. His 'Worpswede Child' is both a precise portrait and a hint of a mysterious beginning. Sculpture in fine bronze, patinated. Cast by hand using the lost wax technique. The mould was taken directly from the original in plaster and reduced in size (reduction). In collaboration with the Kunsthalle Bremen. Limited edition of 490 copies, individually numbered and hallmarked with the foundry stamp. With numbered certificate of authenticity and limitation. Format 20.5 x 20 x 11.5 cm (h/w/d). Weight approx. 2.1 kg. ars mundi exclusive edition. 'As a co-founder of the Worpswede artists' colony, Hans am Ende has a special significance for the collection of the Kunsthalle Bremen, as works by him were exhibited here as early as 1895. Today he is represented in our collection by important landscape paintings, numerous works on paper and the sculpture of the Worpswede Child. The extremely finely detailed portrait of the girl radiates an enchanting calm and at the same time conveys Hans am Ende's great artistry. I am delighted that this marvellous portrait is now available to a wider circle of collectors thanks to the high-quality reproduction. (Prof. Dr Christoph Grunenberg, Director of the Kunsthalle Bremen)
In 1509, Jakob Fugger also donated the Fugger Chapel in St Anne's Church in Augsburg, which was designed by Albrecht Dürer: it was the first building north of the Alps to be imbued with the spirit of humanism. The tomb of the Fugger brothers, built by 1512, magnificently decorated in the following years and consecrated in 1518, was the glamorous prelude to the Renaissance in Germany and one of its high points. Alongside Albrecht Dürer, some of the most important German artists of the Renaissance were involved in its creation. The putti that adorn the balustrade of the Fugger Chapel and 'guard' the Fuggers' burial place are unique and full of charm. ars mundi, in collaboration with the House of Fugger, is able to offer you the famous putti as authentic, slightly reduced museum replicas for the 500th anniversary of the foundation of the Fugger Chapel in St. Anna exclusively and for the first time! Each piece is carefully moulded by hand in polymer artificial stone and patinated with an antique finish. Putti from the Fugger Chapel II, around 1530: size 28 x 27 x 16 cm (W/H/D), weight 11 kg.
To mark the 500th anniversary of the foundation of the Fugger Chapel in St Anna, ars mundi, in collaboration with the House of Fugger, is proud to offer you the famous putti as authentic, slightly scaled-down museum replicas for the first time! Each piece is carefully moulded by hand in polymer artificial stone and patinated with an antique finish. Hans Daucher: Putti from the Fugger Chapel II, around 1530: Size 28 x 27 x 16 cm (W/H/D), weight 11 kg. Sebastian Loscher: Putti from the Fugger Chapel III, around 1530: Size 39 x 28 x 19 cm (W/H/D), weight 8 kg. Both putti in a set.
An outstanding portrait sculpture of the 'Iron Chancellor' and founder of the German Empire in 1871, edited by the Meissen porcelain manufactory. Original porcelain in private ownership. Size 21 x 13.5 x 9 cm (h/w/d). Execution of the sculpture in white artificial marble.
In the end, true balance is a question of concentration: elephant equilibristics at the highest level. Edition in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited to 49 numbered and signed copies. Size 30 x 17 x 42 cm (h/w/d). Weight approx. 8.8 kg.
Stubborn and obstinate, the donkey has been a faithful helper to mankind since time immemorial - as the mill wheel on the ground subtly suggests. Edition in bronze, cast using the lost wax technique, chiselled and patinated by hand. Limited to 49 numbered and signed copies. Size 27 x 19 x 35 cm (h/w/d). Weight approx. 8.2 kg.
Sculpture in fine bronze, cast using the lost wax technique, chiselled, polished and patinated by hand. Limited edition of 99 pieces, numbered and signed. Format incl. wooden base 25 x 14.5 x 9.5 cm (h/w/d). Weight approx. 1.5 kg.
Sculpture in fine bronze, cast using the lost wax technique. Chiselled by hand, polished and light brown patinated. Limited edition of 49 pieces. Numbered and signed. Size 22 x 20 x 6 cm (h/w/d). Weight 3.8 kg. ars mundi exclusive edition.
Sculpture in fine bronze, cast using the lost wax technique. Hand-chiselled, polished and light brown patinated. Limited edition of 49 pieces, numbered and signed. Size 22.5 x 20.5 x 8 cm (h/w/d). Weight approx. 5.2 kg. ars mundi exclusive edition.
Hans Rabanser is a wood sculptor, and as such he has a very close relationship with his 'material': how his sculptures are formed, which movement, which position he can depict, has not least to do with the structure and properties of the wood in front of him. Now, for the first time, one of his wooden objects appears in artificial marble, a completely new artistic experience for him. Edition in white artificial marble. Cast stone, patinated by hand. Limited edition of 499 copies, numbered and signed. Size 37 x 10 x 9 cm (W/H/D). Weight approx. 3.5 kg. Exclusively at ars mundi.
Hans Rabanser is a wood sculptor, and as such he has a very close relationship with his 'material': how his sculptures are formed, which movement, which position he can depict, has not least to do with the structure and properties of the wood in front of him. Now, for the first time, one of his wooden objects appears in high-quality bronze, a completely new artistic experience for him. Edition in fine bronze. Cast by hand using the lost wax technique, patinated and polished by hand. Limited edition of 299 copies, numbered and signed. Size 37 x 10 x 9 cm (W/H/D). Weight approx. 3.5 kg. Exclusively at ars mundi.
Power and passion: Mader's bull Hans-Peter Mader has been fascinated by the power and passion of the bull ever since he attended a bullfight in Madrid; for several years, Mader has been moulding bulls in bronze, each time transforming the bull, whose 'habitus is more reminiscent of a "boring cow with horns", into a dynamic powerhouse'. His bull combines the agile lightness and the dynamic power of its model; it is both an image and an analytical study of the geometry of its physique. Edition in bronze. Cast using the lost wax technique, patinated and polished by hand. Limited edition of 199 pieces. Numbered, signed and hallmarked with the foundry stamp. Size 19 x 35 x 14 cm (h/w/d). Weight 3.7 kg.
The heads of princesses carved from quartzite, which stand out due to their elongated skull shape, are among the most unique works of the Amarna sculptors. Attempts at medical explanations are doomed to failure here. In their expressive style, these heads bear witness to the new art movement under Akhenaten. Original: Quartzite, Egyptian Museum, Cairo. Egypt, New Kingdom, 18th Dynasty, c. 1350 BC Polymer ars mundi museum replica moulded by hand, height with shell limestone base 26 cm.
In this goddess of love, probably created by Alexandros from Antioch, the late classical, sublime model has been effectively modified. The mouth and eyes have become an invitation, and so she embodies the feminine ideal of Hellenism. original: Musee du Louvre, Paris. Place of discovery: Melos. Hellenistic, around 150 B.C. Artificial marble. Height with plinth 52 cm.
