The sculpture 'On the line' is made of painted steel. Limited edition of 30 copies, numbered and signed by the artist. Format 25 x 96 cm (H/W). Weight 2 kg.
Original: The Metropolitan Museum of Art, New York.ars mundi sculptor's model after the 1899 painting. Hand-patinated polymer art bronze, cast by hand. Height 22 cm. Exclusively at ars mundi.
A portrait of a woman by Wunderlich as a sculpture in bronze, patinated, partially polished, cast using the lost wax technique. Edition of 99, numbered and signed. Work number 323. 12.5 cm high. Weight 1.7 kg.
Sculpture in bronze, patinated, partially polished. Cast using the lost wax technique by Michael Wittkamp in Elmenhorst. Height 46 cm, width 18 cm, depth 21 cm. Weight approx. 4 kg. Edition of 30, numbered and signed.
Chairman: in England and America, the chairman of a political or economic body, especially a parliamentary committee. (Duden. Foreign dictionary) Paul Wunderlich has taken the term 'Chairman' literally. The result is a work of art that impresses with its unusual form, its associative title, its tactile appeal and its glamorous surface. Sculpture in fine bronze, patinated, partially polished. Cast using the lost wax technique. Mounted on a 15 x 20 cm plinth. Edition of 90, numbered and signed. Height 51 cm, weight 3.3 kg.
Wunderlich's sculpture 'Chameleon' has all the characteristics associated with the grotesque. It is a relief sculpture whose surface promises extraordinary visual pleasure due to the different levels, the internal drawing on the head and tail and the lively, green-yellowish shimmering patina. Sculpture in cast metal, patinated. Cast using the lost wax technique. Mounted on a bronze plinth. Edition of 480, numbered and signed. Height 8 cm, width 13 cm. Weight 0.7 kg.
The crescent moon stele sculpture, related to ancient idols, moves between the archaic and the modern. Its magic and the imagination it awakens in us transport us into the world of mysteries. When Wunderlich gives the slender, elegant female torso a crescent moon as an attribute, he is following - in addition to formal considerations - the deliberate allusion to Luna, the moon deity. Perhaps, as Joachim Kaiser says about Wunderlich, one has to be a little obsessed with the desire for perfection, to bring everything to the (aesthetic) point of truth, in order to appreciate how much profundity resonates in the elegant form of this sculpture. Sculpture in bronze 1994, patinated, partially polished. Cast using the lost wax technique. Height of the sculpture 40 cm. Mounted on a bronze plinth 13 x 7 x 1.5 cm. Weight 1.2 kg. Edition of 1,250 copies, numbered and signed. Work number 238.
Paul Wunderlich has created a classic of contemporary art with his 'Dancer in a Flower Dress'. Only gradually does one discover the numerous details: the corset, the neck jewellery, the imaginative hairstyle and, of course, the dress trimmed with calla flowers. Each individual detail fits together to form the overall shape. It is the sublime, the sublime that makes Wunderlich's dancer so incomparable. The bronze caster was also required to utilise all his skills: 'This is one of the most complicated casts I have ever made. Sculpture in fine bronze, cast by hand using the lost wax technique. Patinated and polished by hand. Height 56 cm, weight 7.5 kg. Edition: 390 copies, numbered and signed.
Not just for dog lovers: as the artist's companion, he is well known to us through pictures and graphics and is also present in three dimensions: the Fat Dog Also. Animal sculpture in bronze, cast by hand using the lost wax technique, polished, patinated and hallmarked. Limited world edition of only 250 pieces, individually numbered and signed. Height 22 cm, weight approx. 2.5 kg.
Perfect harmony and elegance are Eva's trademarks and make her a major work in Paul Wunderlich's sculptural oeuvre. Eva with the snake is elaborately designed, the surfaces of the individual body parts are individually modelled, the bronze shines in a golden patina. And the special feature: the sculpture measures 94 cm in height and is a prestigious eye-catcher as a floor-standing figure or on a plinth. Sculpture in bronze, patinated, cast using the lost wax technique. Edition of 250, numbered and signed. Height 94 cm. Weight 8 kg.
In this sculpture, Paul Wunderlich has found a new form of expression for a traditional motif: A majestically seated figure resting alone on two long, narrow supports and held up by a crescent-shaped backrest. The body line also forms the chair. The feminine is hinted at by various elements that have become characteristic of the artist's sculptures. The body, consisting of clear geometric shapes, is associated with a female figure in a long evening dress. Sculpture in fine bronze, partially polished, partially patinated. Cast by hand. Limited edition of 99 pieces, numbered and signed. Height of the sculpture 29 cm. Mounted on a bronze plinth 40 x 20 x 0.7 cm. Weight 6.4 kg.
It bears the unmistakable signature of one of Germany's internationally acclaimed contemporary artists: Wunderlich's 'Figure with Skirt' makes its grand entrance gracefully, elegantly and with a cool eroticism. Half a metre high and weighing 5 kg, this bronze sculpture has an inimitable presence and artistic weight. Cast by hand using the lost wax technique. Strictly limited to only 150 copies, numbered and signed.
From antiquity to the Baroque period, the motif of Hermes is omnipresent in art and architecture throughout the ages. Paul Wunderlich has placed his Great Hermes Stele in this tradition. However, the artist does not depict Hermes as a beautiful youth with winged sandals, but rather recalls the original form of the cult image, the herm. In ancient times, this was erected on field boundaries and country roads. As a stone signpost, Hermes served as a patron to travellers and wanderers. Paul Wunderlich transforms the stone image into a life-size bronze sculpture. While Hermes once adorned market squares, villa gardens, castles and libraries, the large Hermes stele now blends elegantly into contemporary surroundings and makes an impact both indoors and outdoors. With a height of 173 cm, the beautifully shaped sculpture is a representative work and is still suitable for pointing the 'right way' today. Work number 316 Sculpture in bronze, patinated, partially polished. Cast using the lost wax technique. Height 173 cm. Mounted on a bronze plinth 56 x 39 cm. Weight approx. 45 kg. Edition of 60, numbered and signed.
This bronze dog is Wunderlich's modern answer to centuries-old traditions in art and architecture to ward off evil spirits and put burglars to flight. As a 'scary' house dog at the entrance or on the stairs, in front of the fireplace, on a plinth in the living room or as an individual garden sculpture by an artist: Hector rounds off any ambience in the house and garden. Dog sculpture 'Hektor': work number 330, bronze sculpture, patinated, partially polished. Cast using the lost wax technique. Height 20 cm, width 19.5 cm, depth 25.5 cm. Weight 14 kg. Edition of 100, numbered and signed.
Sculpture in fine bronze, patinated, partially polished. Cast using the lost wax technique. Mounted on a bronze plinth. Edition of 190, numbered and signed. Height 19 cm, width 13 cm. Weight 0.6 kg.
The balancing act of lifePaul Wunderlich's 'L'Artiste' takes up the symbol of the wheel of fortune or the wheel of life, which has accompanied European art history since the Renaissance. He consistently transfers the symbolism into the modern age. There is the contrast between the construct of the machine and the organic forms of the human body. There is the neutrality of technology and the passion of man. There is the abrupt stillness at the moment of movement. There is the element of adaptation and the element of rebellion. Sculpture in bronze, patinated, partially polished, cast in the lost wax process by Fritz Albrecht in Altrandsberg. Limited edition of 90 pieces, numbered and signed. Mounted on a bronze plinth. Height 50 cm. Weight approx. 3 kg. Work number 346.
Sculpture in bronze, cast using the lost wax technique, patinated, partially polished. Limited edition of 99 pieces, numbered and signed. Height 25 cm, length 39, weight approx. 1.5 kg.
Wunderlich has characterised the female figure with geometric clarity. The crowning crescent moon refers to the moon goddess Diana. Diana is the goddess of nature, fertility and hunting, the patron goddess of women and childbirth. As a virgin, mother and huntress, Diana represents the cycle of birth, life and death, as reflected in the phases of the moon. She corresponds in many ways to the Egyptian Isis, while the Greeks called her Artemis. Her cult was widespread throughout the ancient world.sculpture made of fine bronze, cast by hand using the lost wax technique. Elaborately patinated and polished by hand. Limited edition of 150 pieces, numbered and signed. WVZ no. 275, height incl. diabase base 120 cm, weight 13 kg.
Paul Wunderlich has combined the characteristic features of the owl in his bronze sculpture in a fascinating way. It sits vigilantly in front of the viewer with its wings folded, as the owl of Minerva only spreads its wings at dusk. Nothing seems to escape her wide-open eyes. The expression of alertness is emphasised by the 360-degree rotating head, which can look out in all directions. The artist's signature makes this sculpture a masterpiece. Wunderlich structures the bronze in a variety of ways and gives it plasticity. The patination in green and gold lends the bird vibrancy and authenticity. Sculpture in fine bronze, patinated, partially polished. Cast by hand using the lost wax technique. On a bronze plinth. Edition of 900, numbered and signed. The owl's head is movable. Height 15 cm, width 12 cm. Plinth 12 x 7 cm, weight 1.7 kg.
